Provisional Programme
See also the Programme Guide [PDF:
250k] and Online Proceedings
Tuesday 09 September: Presentations
| 09:00 |
Welcome (Prof Sandler & Prof Smith) |
| 9:15 |
Keynote1: MPEG-7 Audio: Tools for
Semantic Audio Description and Processing
Juergen Herre (Fraunhofer Institute) |
| 10:00 |
Perception |
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INVESTIGATIONS WITH THE SONIC BROWSER ON TWO OF THE PERCEPTUAL AUDITORY
DIMENSIONS OF SOUND OBJECTS: ELASTICITY AND FORCE
Laura Ottaviani and Mikael Fernström |
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ON THE EVALUATION OF PERCEPTUAL SIMILARITY MEASURES FOR MUSIC
Elias Pampalk, Simon Dixon, Gerhard Widmer |
| 10.40 |
Coffee & Tea: Foyer of Peoples Palace |
| 11:00 |
Analysis & Synthesis I |
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INDEPENDENT SUBSPACE ANALYSIS USING LOCALLY LINEAREMBEDDING
Derry FitzGerald, Eugene Coyle Bob Lawlor |
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INTERPOLATION OF LONG GAPS IN AUDIO SIGNALS USING THE WARPED BURG’S
METHOD
Paulo A. A. Esquef and Vesa VälimäkiKari Roth and Ismo Kauppinen |
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NONLINEAR TIME SERIES ANALYSIS OF MUSICAL SIGNALS
J. D. Reiss and M. B. Sandler
|
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REAL-TIME IMPLEMENTATION OF A SOURCE SEPARATION ALGORITHM
Matthias Baeck and Udo Zölzer |
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ALGORITHM FOR THE SEPARATION OF HARMONIC SOUNDS WITH TIME-FREQUENCY
SMOOTHNESS CONSTRAINT
Tuomas Virtanen |
| 12.40 |
Lunch & Posters |
| 14:30 |
Rhythmic & Tonal Analysis |
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MODEL-BASED EVENT LABELING IN THE TRANSCRIPTION OF PERCUSSIVE AUDIO
SIGNALS
Jouni Paulus, Anssi Klapuri |
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NON-LINEAR EFFECTS MODELING FOR POLYPHONIC PIANO TRANSCRIPTION
Luis I. Ortiz-Berenguer, F.Javier Casajús-Quirós, Marisol Torres-Guijarro |
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ESTIMATION OF TEMPO, MICROTIME AND TIME SIGNATURE FROM PERCUSSIVE MUSIC
Christian Uhle, Juergen Herre |
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COMPLEX DOMAIN ONSET DETECTION FOR MUSICAL SIGNALS
Chris Duxbury, Juan Pablo Bello, Mike Davies and Mark Sandler |
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RHYTHMIC EXPRESSIVENESS TRANSFORMATIONS OF AUDIO RECORDINGS: SWING
MODIFICATINS
Fabien Gouyon, Lars Fabig, Jordi Bonada |
| 16:10 |
Coffee & Tea: Foyer of Peoples Palace |
| 16:30 |
Gesture & User Interaction |
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MUSESCAPE: AN INTERACTIVE CONTENT-AWARE MUSIC BROWSER
George Tzanetakis |
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DRIVING PITCH-SHIFTING AND TIME-SCALING ALGORITHMSWITH ADAPTIVE AND
GESTURAL TECHNIQUES
Arfib D., Verfaille V. |
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CYMATIC: A TACTILE CONTROLLED PHYSICAL MODELLING INSTRUMENT
David M Howard and Stuart M Rimell |
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INTRODUCING AUDIO D-TOUCH: A TANGIBLE USER INTERFACEFOR MUSIC COMPOSITION
AND PERFORMANCE
E.Costanza, S.B.Shelley and Prof J.A.Robinson |
Wednesday 10 September: Presentations
| 09:00 |
Keynote 2: Spectral Modelling Synthesis
Xavier Serra (University Pompeu Fabra): |
| 09.45 |
Analysis & Synthesis II |
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ADDITIVE SYNTHESIS BASED ON THE CONTINUOS WAVELET TRANSFORM: A SINUSOIDAL
PLUS TRANSIENT MODEL
José R. Beltrán and Fernando Beltrán |
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ANALYSIS AND RESYNTHESIS OF QUASI-HARMONIC
SOUNDS: AN ITERATIVE FILTERBANK APPROACH
Harvey D. Thornburg, Randal J. Leistikow |
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THE CATERPILLAR SYSTEM FOR DATA-DRIVEN CONCATENATIVE SOUND SYNTHESIS
Diemo Schwarz |
| 10.45 |
Coffee & Tea: Foyer of Peoples Palace |
| 11:10 |
Partial Tracking & Frequency Estimation |
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ENHANCED PARTIAL TRACKING USING LINEAR PREDICTION
Mathieu Lagrange, Sylvain Marchand, Martin Raspaud |
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DIRECT ESTIMATION OF FREQUENCY FROM MDCT-ENCODED FILES
L. Daudet |
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ON SINUSOIDAL PARAMETER ESTIMATION
Stephen Hainsworth, Malcolm Macleod |
| 12.30 |
Lunch & Posters |
| 14.30 |
Spatialization & 3D Audio |
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A NON-LINEAR TECHNIQUE FOR ROOM IMPULSE RESPONSE ESTIMATION
Tim Collins |
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SOUND SPATIALIZATION BASED ON FAST BEAM TRACING IN THE DUAL SPACE
Marco Foco, Pietro Polotti, Augusto Sarti, Stefano Tubaro |
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SOFTWARE FOR THE SIMULATION, PERFORMANCE ANALYSIS AND REAL-TIME IMPLEMENTATION
OF WAVE FIELD SYNTHESIS SYSTEMS FOR 3D-AUDIO
Jose J. Lopez and Sergio Bleda |
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ON THE USE OF SPATIAL CUES TO IMPROVE BINAURAL SOURCE SEPARATION
Harald Viste and Gianpaolo Evangelista |
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ROOM SIMULATION FOR BINAURAL SOUND REPRODUCTION USING MEASURED SPATIOTEMPORAL
IMPULSE RESPONSES
Cornelia Falch, Markus Noisternig, Stefan Warum, Robert Höldrich |
| 16:10 |
Coffee & Tea: Foyer of Peoples Palace |
| 16.30 |
Physical Modelling I |
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AUTOMATIC METHODS FOR THE PHYSICAL MODELING OF SOUNDS IN THE WAVE DIGITAL
DOMAIN
Giovanni De Sanctis, Augusto Sarti, Stefano Tubaro |
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THE WAVE DIGITAL REED: A PASSIVE FORMULATION
Stefan Bilbao, Julien Bensa and Richard Kronland-Martinet |
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SOUND SYNTHESIS BY PHYSICAL MODELING USING THE FUNCTIONAL TRANSFORMATION
METHOD: EFFICIENT IMPLEMENTATIONS WITH POLYPHASE-FILTERBANKS
Stefan Petrausch, Rudolf Rabenstein |
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A NEW ESTIMATION TECHNIQUE FOR DETERMINING THE CONTROL PARAMETERS OF
A PHYSICAL MODEL OF A TRUMPET
Wim D’haes, Xavier Rodet, Dirk van Dyck |
Thursday 11 September: Presentations
| 09.00 |
Keynote3: Music Information Retrieval
Tim Crawford (City University London) |
| 09.45 |
KTWeb –demo |
| 09.55 |
DAFX-04 advanced notification |
| 10.00 |
Audio Coding |
| |
HIGH FREQUENCY RECONSTRUCTION FOR BAND-LIMITED AUDIO
SIGNALS
Chi-Min Liu, Wen-Chieh Lee, and Han-Wen Hsu |
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PERCEPTUALLY MOTIVATED PARAMETRIC REPRESENTATION FOR HARMONIC
SOUNDS FOR DATA COMPRESSION PURPOSES
Marko Helen, Tuomas Virtanen |
| 10.40 |
Coffee & Tea: Foyer of Peoples Palace |
| 11:10 |
Physical Modelling II |
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A SIMPLE, ACCURATE WALL LOSS FILTER FOR ACOUSTIC
TUBES
Jonathan Abel, Tamara Smyth, Julius O. Smith III |
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THE VOICE OF THE DRAGON: A PHYSICAL MODEL OF A ROTATING
CORRUGATED TUBE.
Juraj Kojs, Stefania Serafin |
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BLOCKCOMPILER —A RESEARCH TOOL FOR PHYSICAL MODELING AND
DSP
Matti Karjalainen |
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10 CRITERIA FOR EVALUATING PHYSICAL MODELLING SCHEMES
FOR MUSIC
Nicolas Castagne and Claude Cadoz |
| 12.30 |
Lunch & Posters |
| 14.30 |
Music Information Retrieval |
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MOSIEVIUS: FEATURE DRIVEN INTERACTIVE AUDIO MOSAICING
Ari Lazier, Perry Cook |
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HIERARCHICAL GAUSSIAN TREE WITH INERTIA RATIO MAXIMIZATION
FOR THE CLASSIFICATION OF LARGE MUSICAL INSTRUMENT DATABASE
Geoffroy Peeters and Xavier Rodet |
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SYSTEM ANALYSIS AND PERFORMANCE TUNING FOR BROADCAST AUDIO
FINGERPRINTING
Eloi Batlle, Jaume Masip, Pedro Cano |
| 15.20 |
Coffee & Tea: Foyer of Peoples Palace |
| 15:40 |
Sound Modification & Effects |
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FREQUENCY-DOMAIN TECHNIQUES FOR HIGH-QUALITY VOICE MODIFICATION
Jean Laroche |
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CONTENT-BASED MELODIC TRANSFORMATIONS OF AUDIO FOR A MUSIC
PROCESSING APPLICATION
Emilia Gómez, Gilles Peterschmitt, Perfecto Herrera |
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AN EFFICIENT AUDIO TIME-SCALE MODIFICATION ALGORITHM FOR
USE IN A SUBBAND IMPLEMENTATION
David Dorran and Robert Lawlor |
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A NEW APPROACH TO TRANSIENT PROCESSING IN THE PHASE VOCODER
Axel Röbel |
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DESCRIPTION-DRIVEN CONTEXT-SENSITIVE EFFECTS
Adam T. Lindsay, Alan P. Parkes and Rosemary A. Fitzgerald |
Posters
A HIERARCHICAL APPROACH TO AUTOMATICAL MUSICAL GENRE CLASSIFICATION. Juan
José Burred and Alexander Lerch
SIMULATION OF SOUND SOURCE MOTION BY TIME-FREQUENCY FILTERING John C.
Sarris, Sotirios A. Dalianis, George E. Cambourakis Finn Jacobsen
CHAOTIC SIGNAL SYNTHESIS WITH REAL-TIME CONTROL: SOLVING DIFFERENTIAL EQUATIONS
IN PD, MAX/MSP, AND JMAX Shahrokh Yadegari
USING NONLINEAR AMPLIFIER SIMULATION IN DYNAMIC
RANGE CONTROLLERS Jiri
Schimmel
A HYBRID APPROACH TO A TIMBRALLY CONSISTENT VIRTUAL INSTRUMENT Sean O’Leary,
Niall Griffith
MULTICHANNEL AUDIO DECORRELATION FOR CODING Soledad
Torres-Guijarro, Jon Ander Beracoechea Álava, Luis I. Ortiz-Berenguer, F.
Javier Casajús-Quirós
REAL TIME SPECTRAL EXPANSION FOR CREATIVE AND REMEDIAL SOUND TRANSFORMATION
Jeremy J. Wells and Damian T. Murphy
FFT ANALYSIS AS A CREATIVE TOOL IN LIVE PERFORMANCE Sebastian Lexer and
Dr.Michael Young
SPECTRAL PROPERTIES OF SOUNDS GENERATED VIA ELLIPTIC FUNCTIONS Vittorio
Cafagna, Domenico Vicinanza
RECENT DEVELOPMENTS IN PWSYNTH Mikael Laurson and Vesa Norilo
WAVE FIELD SYNTHESIS INTERACTIONWITH THE LISTENING ENVIRONMENT, IMPROVEMENTS
IN THE REPRODUCTION OF VIRTUAL SOURCES SITUATED INSIDE THE LISTENING ROOM
T. Caulkins, E. Corteel
“CURVATURE” PARAMETERS IN SOUND SCENE CREATION USING WAVE FILED SYNTHESIS.
M. Nogues and E. Corteel
AN EXPRESSIVE REAL-TIME SOUND MODEL OF ROLLING Matthias Rath
EGOSOUND, AN EGOCENTRIC, INTERACTIVE AND REAL TIME APPROACH OF SOUND SPACE.
Anne Sedes, Benoît Courribet, Jean-Baptiste Thiébaut
MUSICALLY EXPRESSIVE SOUND TEXTURES FROM GENERALIZED AUDIO Ben Recht and
Brian Whitman
GUI FRONT-END FOR SPECTRAL WARPING Mr. T. Healy, Mr. T. Lysaght and Dr.
J. Timoney
EXTRACTING THE PERCEIVED INTENSITY OF MUSIC TITLES Aymeric Zils,
François Pachet
PERCEPTUAL EVALUATION OF WEIGHTED MULTICHANNEL BINAURAL FORMAT Emmanuel
Rio, Guillaume Vandernoot, Olivier Warusfel
A MIXED PHYSICAL AND PERCEPTUAL APPROACH TO CONTROL SPATIALIZATION IN AUDIO
AUGMENTED REALITIES Olivier Delerue
EXTRACTION OF THE EXCITATION POINT LOCATION
ON A STRING USING WEIGHTED LEAST-SQUARE
ESTIMATION OF COMB FILTER DELAY Caroline Traube and Philippe Depalle
TIME-FREQUENCY TECHNIQUES FOR REVERBERATION TIME ESTIMATION FROM MUSICAL
SIGNALS Alexis Baskind and Olivier Warusfel
GAIA: GRAPHICAL AUDIO INTERFACE APPLICATION David Topper
M/S CODING BASED ON BANDWIDTH-PROPORTIONAL NOISE-SHAPING CRITERION Chi-Min
Liu, Wen-Chieh Lee, and Yu-Hua Hsiao
FAST PERCEPTUAL CONVOLUTION FOR THE ROOM REVERBERATION Wen-Chieh Lee and
Chi-Min Liu Chung-Han Yang and Jiun-In Guo
A COMPARISON OF MUSIC SIMILARITY MEASURES FOR A P2P APPLICATION Stephan
Baumann, Tim Pohle
METABOLIC EMERGENT AUDITORY EFFECTS BY MEANS OF PHYSICAL PARTICLE MODELING:
THE EXAMPLE OF MUSICAL SAND Luciani Annie, Castagne Nicolas, Tixier Nicolas
BIT ALLOCATION FOR ADAVANCED AUDIO CODINGBANDWIDTH-PROPOSIONAL NOISE-SHAPING
Chi-Min. Liu, Wen-Chieh Lee, and Chu-Ting Chien
A REAL-TIME AUDIO RENDERING SYSTEM FOR THE INTERNET (iARS), EMBEDDED IN AN
ELECTRONIC MUSIC LIBRARY (IAEM) Christopher Frauenberger and Winfried Ritsch
DESIGN, DEVELOPMENT AND APPLICATION OF MULTIPROCESSOR DSP BOARD FOR RADIO
BROADCASTING A.McMahon B.V.D.Steen, P. Collins G.Hurst R.W.Stewart
ANALYSIS OF TRANSIENT MUSICAL SOUNDS BY AUTO-REGRESSIVE MODELING Florian
Keiler, Can Karadogan, Udo Zölzer, and Albrecht Schneider
THE CONTROL OF AN INTEGRATED MICROSOUND SYNTHESIS SYSTEM Laurent Pottier
and Jean-François Oliver
IMPROVING ACOUSTIC PROPERTIES AT THE BOUNDARIES IN THE DIGITAL WAVEGUIDE
MESH Andrew M. Nash and Damian T. Murphy
MATCHING LIVE SOURCES WITH PHYSICAL MODELS Paul Brossier, Mark Sandler and Mark Plumbley
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